Blaque explores the power of a single shade to carry grief, resilience, tradition, and transformation within the African diaspora. Blending technology with traditional techniques, the artist uses matte black on black paper to prompt slow, intentional looking—revealing layered histories, personal memory, and cultural legacy. The exhibition invites viewers to reflect on their own heritage while confronting how stories can fade unless we choose to see them fully.
BLAQUE—often seen as strength and elegance. But, for some, this shade evokes feelings of sadness and grief. Collectively, these terms accurately depict the lived experiences of so many within the African diaspora.
As the artist, I sought to honor tradition while embracing new advancements by mixing technology with standard techniques. From culture to color, this exhibition focuses on how a simple shade can transform precious events, shift perspectives, and honor a rich legacy.
The work in this exhibition explores the intrinsic connection between the shade Blaque and my heritage as an African American male from the South. Reflecting on personal history and shared experiences is accomplished through the deliberate use of a matte-finish paint on black paper. This artistic decision avoids a glossy veneer, embracing a raw, honest presentation of meaningful work. This technique also symbolizes the complex perceptions of the African American community.
Approaching these images head-on makes them difficult to fully comprehend at first glance, but with prolonged viewing, details emerge. This challenges the viewer to look closer and recognize the depth and nuance often missed in superficial interactions. The way the dark image seems to vanish also serves as a cryptic example of how African American history—from our royal ancestry to our dehumanization—is at risk of fading into nonexistence.
My maternal grandmother was also a significant inspiration for this body of work. Her passing brought a profound sense of darkness, a “Blaque” moment of reflection. Blaque is not merely a shade but a moment in time for reflection, encompassing everything from grief to the vibrant family traditions and resilience of a people. Through these works, I invite the audience to relate these experiences to their own cultures and traditions, fostering a universal understanding of history, identity, and the enduring power of heritage.
Jonathan Rashad Wright was born in Pine Bluff, Arkansas. He received his associate degree from Southeast Arkansas College (SEARK) in 2009. After graduating from SEARK, he went on to receive his Bachelor of Science in Visual Arts degree from the University of Arkansas at Pine Bluff (UAPB). There, he studied under Henry Linton Sr., Danny Campbell, Paul Hooven, and Husny Dahlan. During this time, his artwork was juried into the “2015 Creativity Arkansas” exhibit at the Mosaic Templars Cultural Center in Little Rock. His work was selected for a purchase award into their prestigious permanent collection.
He completed his Master of Fine Arts in printmaking this year at Arizona State University. His most recent recognition is receiving the Mid-American Art Alliance’s2023 Catalyze Grant. He is an instructor at UAPB.
Wright cites influences by several teachers, most notably, his high school mentor, artist and teacher, Cathy Burns.
His love of working with his hands is his reason for combining traditional printmaking techniques, such as woodcutting, with modern technology. Playing back and forth between both areas makes his work quite interesting. His current body of work emphasizes the rich history of the African American Community, their experiences and their heritage.
Interviewed and photographed by Cheryl Cohen, 1976 The Pine Bluff Women’s Center, Inc.
Maeleen Clay Arrant was the supervisor of elementary schools in Pine Bluff until 1969. In 1932 she taught in an experimental school for African Americans, sponsored by the Southern Education Foundation, to study the benefits of having qualified teachers in a low-income area. Arrant often talked about freedom and racial prejudices, and her belief in hard work. Her activism continued after her retirement in 1969.
In 1974, Arrant served on the governor's Committee for the Integration of Institutions and Higher Education. She remained active in Delta Sigma Theta Sorority, Incorporated and as an alum of the University of Arkansas Pine Bluff. Maeleen Arrant was also a member of the Arkansas American Association of University Women. In 1980, the Arkansas Education Association named a scholarship in her honor. Maeleen Arrant died in 2000.
Interviewed and photographed by Rebecca Kilmer, 1976 The Pine Bluff Women’s Center, Inc.
Chanah Reid Foti was the youngest person interviewed at the age of 7. When asked about work, she said, “I’d like to be a carpenter. I’d build a house.” When asked, what do you think a poor person is? She said, “Somebody who doesn’t have any friends and can’t get along with people.”
Chanah lived in Arkansas throughout her early twenties. She then moved to California and became a drug and alcohol counselor with her husband, Pierre La Merre. Chanah passed away in 2017.
Interviewed and photographed by Cheryl Cohen, 1976 The Pine Bluff Women’s Center, Inc.
Mrs. O.G. Dawson (Ethel B.) worked for the sharecropper program National Council of Churches in Lincoln County, and encouraged people to vote and pay their taxes. Dawson discussed racial segregation, the Student Non-Violent Coordinating Committees activities in Pine Bluff, and facing and challenging sexual discrimination as a working African American woman. “I’ve always been accused of being outspoken. I don’t mean any harm. I never meant any harm, but at the same time, I’m just telling the truth.”
In her later years, Ethel Dawson worked with the Jefferson County Voters Association and the League of Women Voters. She remained an active NAACP member and strove to get Blacks hired at the Jefferson County Court House. Ethel Dawson died in 1984.
Interviewed and photographed by Judith D’Elena, 1976 The Pine Bluff Women’s Center, Inc.
June H. Davis was the secretary to the principal and counselor, at Altheimer High School. She discussed the growth of Altheimer, Planter’s Gin, and Altheimer’s Gin Company, and the mechanization of farming. Davis appreciated living in a small town and the tradition and heritage of the area.
June Hale Davis graduated magna cum laude in 1982 with a fine arts degree from the University of Arkansas-Pine Bluff and enjoyed camping, hiking, and antiques. She passed away in 2011.
Interviewed and photographed by Ra Heilman, 1976 The Pine Bluff Women’s Center
Annie R. Zachary, “When you say “true grit” well you got to have it f you are going to survive in this world as a woman.” Following her husband’s death, she was a widow, mother, politician, public worker and farm manager struggling to gain respect in the farming industry because of her gender. Zachary was a force to be reckoned with, and in 1969, Governor Rockefeller appointed her the first Black person, male or female, to serve on a Governor’s board.
In 1977, she married Lester Pike, and in 1979, she helped establish National Teachers’ Day. In 1985, the Arkansas Education Association recognized her many years of volunteer service. From 1999 to 2001, she served on the Arkansas Tobacco Control Board. Her husband died in 1997. In 2002, the Phillips County Road 125, which runs through Zachary farmland, was renamed Annie Zachary Pike Road. As of 2019, Pike still resides on the family farm in Marvell.
Interviewed and photographed by Cheryl Cohen. 1976 The Pine Bluff Women’s Center, Inc.
Geneva Byrd was the daughter of a share-cropper, beginning a life of hard work as a little girl. Part of her income, in 1976, is from selling eggs. Fresh eggs are popular because, “They say it makes better cakes and the bread looks better.” Her time behind a plow, hauling firewood, chopping cotton, and raising chickens led to independence for Byrd, “ I could live without a husband good as anything because I know how to work. Been working all my days!”
Geneva Byrd worked for the Kahn and Freeman family as a housekeeper until she retired. She enjoyed gardening and caring for animals. Byrd was preceded in death by her first husband Herman Sloan and second husband John Byrd--to whom she was married at the time of his death. Byrd passed away at the age of 94 in 2012.
Interviewed and photographed by Cheryl Cohen, 1976 The Pine Bluff Women’s Center, Inc.
Mildred Laureles had been a postmistress since 1947. Lamenting on the disappearance of her town of Snow Lake, “Well I’ve seen it goin’ down an awfully lot. When I came here, you see, there was two stores, and two gins, and a number of sharecroppers’ families. Lots of people. Now the stores is gone, the gins is gone, and most of the people’s gone.”
After serving as Snow Lake’s postmistress for over 30 years, Mildred Laureles retired in 1981. After retirement, Laureles moved to West-Helena, where she ran a gas station and enjoyed watching soap operas in her free time. In August 1990, Laureles was diagnosed with lung cancer. She passed away in 1992.
Interviewed and photographed by Arleen Olsen, 1976 The Pine Bluff Women’s Center, Inc.
Emma Merlo was a mother, wife, gardener, and greenhouse manager of what was formerly known as Woodstock Plantation. Merlo found joy in the solitude of the Delta and described Pine Bluff as quiet and peaceful with few disturbances.
Emma Merlo sold Woodstock Plantation after the death of her husband Claude Merlo in 2002. As of 2021, Merlo is 90 years old and resides in Belton, Texas, with her daughter, Claudia Croswell, and son, Joseph Merlo.
Interviewed and photographed by Cheryl Cohen, 1976 The Pine Bluff Women’s Center, Inc.
Ora Brown, owned rental properties and Ora Brown’s Beauty Salon. Small business ownership was one way to earn income in an era of few career opportunities for minorities.
Ora Lee Brown was born in 1906 and died in 1982.
1976 The Pine Bluff Women’s Center, Inc.
Idella Kimbrough, was a reporter for the Lincoln County newspaper for 26 years. Kimbrough’s work within the community and church earned her an Outstanding Citizenship Award. She recalled her grandmother growing up in slavery working as a cook, and the hardships and injustices of the era.
Idella Kimbrough was born in 1906 and died in 1986.
Interviewed and photographed by Cheryl Cohen, 1976 The Pine Bluff Women’s Center, Inc.
Lucyle Cantley was interviewed at her antique and book store. She was in business for 49 years. Listed in Who’s Who in Arkansas and in Distinguished Americans of the South, Cantley opened her first store at 17 years old. Cantley recalled the obstacles women faced obtaining business loans and needing fifteen times more collateral than a man.
Lucyle Cantley died in 1978.
Interviewed and photographed by Cheryl Cohen, 1976 The Pine Bluff Women’s Center, Inc.
Jessie Tidwell, was a cook and housekeeper. She began cooking with her mother at an early age. Tidwell recalls her mother’s home remedies for colds and other ailments. She remembered the Flood of 1927 and its impact on her family and neighbors. Tidwell stated that the event brought together Whites and Blacks in shared hardship.
